2017: Piano Deconstruction

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Major recording project. Recorded a 1 hour piano improvisation through a stereo pair of C414's through a pre-amp cranked up for a dark, analogue distortion sound, the piece was crafted by hand into 2 sections.

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First section features percussive elements influenced by Nicolas Jaar's Fight & James Blake's Sparing the Horses from EQ's samples of the sustain pedal.

The second section is a mass layered ambient soundscape, influenced by Tim Hecker's Dropped Pianos

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Mark: D

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